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Some balconies
on David Lopez Panea´s papers
The contemplation
of this series of papers is an uncertain route, the glance is narcotized
in some kind of travelling mushroom wagging on our neurotic filigrees
,cut profiles, dimensions of an amboideo germ, multiform-shaped enzymes,
inminent transformations that suddenly happen.
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Like a
fishhook of pactum pictoris: extra membranes, subway waters, white nakedness
of the iconic suburbs, high -dimension disorders.
This plastic succession exposes a tense equivalent ratio between the internal
procedure and the effect of the superior thing. Silent snakes, mythologie
personnelle, the alchemy of colours which try to combine with each other,
the discordant forms eroticism and the bimorphic images of an unlimited
imagination, of concise, fantastic tonalities, blurred in an evaporation
that transforms what is actually hidden. Ultratransvarguadist action,
The anxiety-relieved spectators in search of identifying themselves with
their papers. This restlessness means an opened field of psichodramatic
experimentation, the investigation of forms that break up into a combination
chance.
Common elements
Winding forms, protuberances, germs, descontex details, asymmetries, malequidistant
axis, insertions, plastic contents of an emergent chromatism, simple lines,
curves, ovals, symbolic ellipsis, irregular triangles, morbid lines.
Colours composition
Predominant ocher colours, earth-colour, browns, discontinuous outlines
backgrounds, integral depth, movable Venice window, yellow colour highlights
the limits
and the white one which underline or cover the forms totalitarianism.
David Delgado Sola
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untitled, oil on paper 100x70
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"er biyu", oil on paper 100x70
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untitled, oil on paper 100x70
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untitled, oil on paper 100x70
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"cetáceos
en un cementerio amarillo"
oil on paper 100x70
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untitled, oil on paper 100x70
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untitled, oil on paper 100x70
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untitled,oil on paper 100x70
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untitled, oil on paper 100x70
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untitled, oil on paper 100x70
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untitled, oil on paper 100x70
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untitled, oil on paper 100x70
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